Page 22 - Backyard Bird Photography: How to Attract Birds to Your Home and Create Beautiful Photographs
P. 22

I can sit on to rest, but I only perch on this seat for a few minutes at a time, because at any

        moment, the oriole can fly directly to either the feeder pole above the feeder or even onto
        the feeder itself. By this time, it is too late for me to stand up and place my hands on the
        camera. The oriole will see this movement and fly off.

           I have spent many wonderful hours standing in this corner photographing the Hooded
        Orioles. I love listening to them chucking and chucking as they approach the garden, then
        the chucking sound gets really loud when they land on the feeder pole and get ready to

        drop down onto the feeder itself. Sometimes, especially in August and early September, it
        gets extremely hot in this corner, and one year it was so hot that I lost my concentration
        and I thought I was placing the Digital Rebel camera with the 200–400mm lens and the
        1.4x teleconverter onto the tripod head, but instead I latched the camera into thin air, then
        let go, and the camera fell first onto the window stool, a little over a foot above the floor
        (leaving a one-inch dent), and then onto the tile floor itself. I was in shock, but the camera

        was not damaged, and I attached it properly to the tripod and kept shooting.

           In the case of my hummingbird and oriole photographs, you may wonder how I know
        that the bird will land on a certain perch of the feeder every time. After all, panning across
        the feeder with my camera would likely scare off my subject at such close quarters, and
        besides it wouldn’t result in the composition I desire.





























                                                     Bullock’s Oriole
           Here’s a little trick. I place a white adhesive label on the outside of the feeding holes
        where  I  don’t  want  the  bird  to  go.  Or  with  the  hummingbird  feeder,  I  may  place  blue

        painter’s tape under the feeder holes. Sometimes I leave more than one feeder hole open,
        just  in  case  an  interesting  composition  arises  and  I  am  willing  to  take  the  chance  of
        panning to my subject. With the hummingbird feeder, this may result in a shot taken with
        the hummingbird perched on the opposite side of the feeder and looking directly at me,
        instead of a profile; and with the oriole feeder, this might produce a photograph in which

        the  oriole  is  positioned  across  the  feeder  in  the  foreground,  instead  of  off  to  the  side.
        Similarly,  leaving  the  feeder  hole  closest  to  me  open  on  the  hummingbird  feeder  may
        result in the hummingbird perching with his back to me.
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