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1.2 William Morris and the Arts & Crafts Movement

            Alex Hass







            Conditions and Products of the Industrial Age



            The Arts & Crafts movement emerged in the second half of the 19th century in reaction to the social,
            moral, and aesthetic chaos created by the Industrial Revolution. William Morris was its founder and
            leader. He abhorred the cheap and cheerful products of manufacturing, the terrible working and living
            conditions of the poor, and the lack of guiding moral principles of the times. Morris “called for a fitness
            of purpose, truth to the nature of the materials and methods of production, and individual expression by
            both artist and worker” (Meggs & Purvis, 2011, p. 160). These philosophical points are still pivotal to the
            expression of design style and practice to this day. Design styles from the Arts & Crafts movement and
            on have emphasized, in varying degrees, either fitness of purpose and material integrity, or individual
            expression and the need for visual subjectivity. Morris based his philosophy on the writings of John
            Ruskin, a critic of the Industrial Age, and a man who felt that society should work toward promoting
            the happiness and well-being of every one of its members, by creating a union of art and labour in the
            service of society. Ruskin admired the medieval Gothic style for these qualities, as well as the Italian
            aesthetic of medieval art because of its direct and uncomplicated depiction of nature.

            Many artists, architects, and designers were attracted to Ruskin’s philosophy and began to integrate
            components of them into their work. Morris, influenced by his upbringing in an agrarian countryside,
            was profoundly moved by Ruskin’s stance on fusing work and creativity, and became determined to find
            a way to make it a reality for society. This path became his life’s work.



            Pre-Raphealite Brotherhood



            Morris met Edward Burne-Jones at Exeter College when both were studying there. They both read
            extensively the medieval history, chronicles, and poetry available to them and wrote every day. Morris
            published his first volume of poetry when he was 24, and continued to write and publish for the rest
            of his life. After graduation, Morris and Burne-Jones tried a few occupations, and eventually decided
            to become artists. Both became followers of Dante Gabriel Rossetti who founded the Pre-Raphealite
            brotherhood that was based on many of Ruskin’s principles. Morris did not last long as a painter,
            eventually finding his design vocation while creating a home for himself and his new wife (Rosetti’s
            muse and model).


            Discovering the lack of design integrity in Victorian home furnishings and various additional
            deficiencies in other aspects of home products, he chose to not only design his home, but all its furniture,
            tapestries, and stained glass.








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